Artists<\/h1><\/span><\/div><\/div><\/div><\/div><\/div>\n<\/div><\/div><\/div><\/div>![\"Zum](\"https:\/\/cue-management.de\/wp-content\/uploads\/2025\/08\/Sara-Glojnaric-Fotocredit-Mateja-Vrckovic-scaled.jpg\")
<\/a><\/span><\/div><\/div><\/div><\/div><\/div><\/span>Sara Glojnari\u0107<\/h2><\/span><\/div><\/div><\/div><\/div><\/div><\/span>Composer<\/h3><\/span><\/div><\/div><\/div><\/div>Sara Glojnari\u0107 is a Croatian composer based in Leipzig, Germany. Her artistic practice examines pop culture in depth, focusing on its aesthetics, socio-political implications, collective memory, nostalgia, and the complex interplay of cultural data. Her body of work spans a range of mediums, including opera, orchestral works, chamber music, and video art.<\/p>\n<\/div>
View Profile<\/span><\/i><\/a><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/span>Clemens K. Thomas<\/h2><\/span><\/div><\/div><\/div><\/div><\/div><\/span>Composer and Curator<\/h3><\/span><\/div><\/div><\/div><\/div>As a composer and curator, Clemens K. Thomas tells stories and negotiates burning questions of our time. Recurring motifs in his works are the processing of our everyday media and the nostalgic transfiguration of the past.<\/p>\n<\/div>
View Profile<\/span><\/i><\/a><\/div><\/div><\/div>![\"Zum](\"https:\/\/cue-management.de\/wp-content\/uploads\/2025\/08\/Clemens-K-Thomas-2024_hoch\u00a9KatjaRuge-scaled.jpg\")
<\/a><\/span><\/div><\/div><\/div><\/div><\/div>![\"Zum](\"https:\/\/cue-management.de\/wp-content\/uploads\/2025\/10\/Valerie-Fritz-Portrait\u00a9Verena-Bruening.jpg\")
<\/a><\/span><\/div><\/div><\/div><\/div><\/div><\/span>Valerie Fritz<\/h2><\/span><\/div><\/div><\/div><\/div><\/div><\/span>Cellist<\/h3><\/span><\/div><\/div><\/div><\/div>Austrian cellist Valerie Fritz explores her instrument from electronics to gut strings.
\nHer wide-ranging repertoire demonstrates how all stylistic approaches benefit from looking beyond their usual boundaries.<\/p>\n<\/div>
View Profile<\/span><\/i><\/a><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/span>Miroslav Srnkas<\/h2><\/span><\/div><\/div><\/div><\/div><\/div><\/span>Composer\u00a0<\/h3><\/span><\/div><\/div><\/div><\/div>Miroslav Srnka’s international breakthrough came in 2016 when his opera South Pole was premiered at the Bayerische Staatsoper in Munich under Kirill Petrenko, in a production by Hans Neuenfels that featured Rolando Villaz\u00f3n and Thomas Hampson in the title roles.<\/p>\n<\/div>
<\/a><\/span><\/div><\/div><\/div>Sara Glojnari\u0107<\/h2><\/span><\/div><\/div><\/div><\/div><\/div><\/span>Composer<\/h3><\/span><\/div><\/div><\/div><\/div>Sara Glojnari\u0107 is a Croatian composer based in Leipzig, Germany. Her artistic practice examines pop culture in depth, focusing on its aesthetics, socio-political implications, collective memory, nostalgia, and the complex interplay of cultural data. Her body of work spans a range of mediums, including opera, orchestral works, chamber music, and video art.<\/p>\n<\/div>
View Profile<\/span><\/i><\/a><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/span>Clemens K. Thomas<\/h2><\/span><\/div><\/div><\/div><\/div><\/div><\/span>Composer and Curator<\/h3><\/span><\/div><\/div><\/div><\/div>As a composer and curator, Clemens K. Thomas tells stories and negotiates burning questions of our time. Recurring motifs in his works are the processing of our everyday media and the nostalgic transfiguration of the past.<\/p>\n<\/div>
View Profile<\/span><\/i><\/a><\/div><\/div><\/div><\/a><\/span><\/div><\/div><\/div><\/div><\/div><\/a><\/span><\/div><\/div><\/div><\/div><\/div><\/span>Valerie Fritz<\/h2><\/span><\/div><\/div><\/div><\/div><\/div><\/span>Cellist<\/h3><\/span><\/div><\/div><\/div><\/div>Austrian cellist Valerie Fritz explores her instrument from electronics to gut strings.
\nHer wide-ranging repertoire demonstrates how all stylistic approaches benefit from looking beyond their usual boundaries.<\/p>\n<\/div>
View Profile<\/span><\/i><\/a><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/span>Miroslav Srnkas<\/h2><\/span><\/div><\/div><\/div><\/div><\/div><\/span>Composer\u00a0<\/h3><\/span><\/div><\/div><\/div><\/div>Miroslav Srnka’s international breakthrough came in 2016 when his opera South Pole was premiered at the Bayerische Staatsoper in Munich under Kirill Petrenko, in a production by Hans Neuenfels that featured Rolando Villaz\u00f3n and Thomas Hampson in the title roles.<\/p>\n<\/div>
Composer<\/h3><\/span><\/div><\/div><\/div><\/div>Sara Glojnari\u0107 is a Croatian composer based in Leipzig, Germany. Her artistic practice examines pop culture in depth, focusing on its aesthetics, socio-political implications, collective memory, nostalgia, and the complex interplay of cultural data. Her body of work spans a range of mediums, including opera, orchestral works, chamber music, and video art.<\/p>\n<\/div>
View Profile<\/span><\/i><\/a><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/span>Clemens K. Thomas<\/h2><\/span><\/div><\/div><\/div><\/div><\/div><\/span>Composer and Curator<\/h3><\/span><\/div><\/div><\/div><\/div>As a composer and curator, Clemens K. Thomas tells stories and negotiates burning questions of our time. Recurring motifs in his works are the processing of our everyday media and the nostalgic transfiguration of the past.<\/p>\n<\/div>
View Profile<\/span><\/i><\/a><\/div><\/div><\/div><\/a><\/span><\/div><\/div><\/div><\/div><\/div><\/a><\/span><\/div><\/div><\/div><\/div><\/div><\/span>Valerie Fritz<\/h2><\/span><\/div><\/div><\/div><\/div><\/div><\/span>Cellist<\/h3><\/span><\/div><\/div><\/div><\/div>Austrian cellist Valerie Fritz explores her instrument from electronics to gut strings.
\nHer wide-ranging repertoire demonstrates how all stylistic approaches benefit from looking beyond their usual boundaries.<\/p>\n<\/div>
View Profile<\/span><\/i><\/a><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/span>Miroslav Srnkas<\/h2><\/span><\/div><\/div><\/div><\/div><\/div><\/span>Composer\u00a0<\/h3><\/span><\/div><\/div><\/div><\/div>Miroslav Srnka’s international breakthrough came in 2016 when his opera South Pole was premiered at the Bayerische Staatsoper in Munich under Kirill Petrenko, in a production by Hans Neuenfels that featured Rolando Villaz\u00f3n and Thomas Hampson in the title roles.<\/p>\n<\/div>
Sara Glojnari\u0107 is a Croatian composer based in Leipzig, Germany. Her artistic practice examines pop culture in depth, focusing on its aesthetics, socio-political implications, collective memory, nostalgia, and the complex interplay of cultural data. Her body of work spans a range of mediums, including opera, orchestral works, chamber music, and video art.<\/p>\n<\/div>
Clemens K. Thomas<\/h2><\/span><\/div><\/div><\/div><\/div><\/div><\/span>Composer and Curator<\/h3><\/span><\/div><\/div><\/div><\/div>As a composer and curator, Clemens K. Thomas tells stories and negotiates burning questions of our time. Recurring motifs in his works are the processing of our everyday media and the nostalgic transfiguration of the past.<\/p>\n<\/div>
View Profile<\/span><\/i><\/a><\/div><\/div><\/div><\/a><\/span><\/div><\/div><\/div><\/div><\/div><\/a><\/span><\/div><\/div><\/div><\/div><\/div><\/span>Valerie Fritz<\/h2><\/span><\/div><\/div><\/div><\/div><\/div><\/span>Cellist<\/h3><\/span><\/div><\/div><\/div><\/div>Austrian cellist Valerie Fritz explores her instrument from electronics to gut strings.
\nHer wide-ranging repertoire demonstrates how all stylistic approaches benefit from looking beyond their usual boundaries.<\/p>\n<\/div>
View Profile<\/span><\/i><\/a><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/span>Miroslav Srnkas<\/h2><\/span><\/div><\/div><\/div><\/div><\/div><\/span>Composer\u00a0<\/h3><\/span><\/div><\/div><\/div><\/div>Miroslav Srnka’s international breakthrough came in 2016 when his opera South Pole was premiered at the Bayerische Staatsoper in Munich under Kirill Petrenko, in a production by Hans Neuenfels that featured Rolando Villaz\u00f3n and Thomas Hampson in the title roles.<\/p>\n<\/div>
Composer and Curator<\/h3><\/span><\/div><\/div><\/div><\/div>As a composer and curator, Clemens K. Thomas tells stories and negotiates burning questions of our time. Recurring motifs in his works are the processing of our everyday media and the nostalgic transfiguration of the past.<\/p>\n<\/div>
View Profile<\/span><\/i><\/a><\/div><\/div><\/div><\/a><\/span><\/div><\/div><\/div><\/div><\/div><\/a><\/span><\/div><\/div><\/div><\/div><\/div><\/span>Valerie Fritz<\/h2><\/span><\/div><\/div><\/div><\/div><\/div><\/span>Cellist<\/h3><\/span><\/div><\/div><\/div><\/div>Austrian cellist Valerie Fritz explores her instrument from electronics to gut strings.
\nHer wide-ranging repertoire demonstrates how all stylistic approaches benefit from looking beyond their usual boundaries.<\/p>\n<\/div>
View Profile<\/span><\/i><\/a><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/span>Miroslav Srnkas<\/h2><\/span><\/div><\/div><\/div><\/div><\/div><\/span>Composer\u00a0<\/h3><\/span><\/div><\/div><\/div><\/div>Miroslav Srnka’s international breakthrough came in 2016 when his opera South Pole was premiered at the Bayerische Staatsoper in Munich under Kirill Petrenko, in a production by Hans Neuenfels that featured Rolando Villaz\u00f3n and Thomas Hampson in the title roles.<\/p>\n<\/div>
As a composer and curator, Clemens K. Thomas tells stories and negotiates burning questions of our time. Recurring motifs in his works are the processing of our everyday media and the nostalgic transfiguration of the past.<\/p>\n<\/div>
<\/a><\/span><\/div><\/div><\/div><\/div><\/div><\/a><\/span><\/div><\/div><\/div>Valerie Fritz<\/h2><\/span><\/div><\/div><\/div><\/div><\/div><\/span>Cellist<\/h3><\/span><\/div><\/div><\/div><\/div>Austrian cellist Valerie Fritz explores her instrument from electronics to gut strings.
\nHer wide-ranging repertoire demonstrates how all stylistic approaches benefit from looking beyond their usual boundaries.<\/p>\n<\/div>
View Profile<\/span><\/i><\/a><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/span>Miroslav Srnkas<\/h2><\/span><\/div><\/div><\/div><\/div><\/div><\/span>Composer\u00a0<\/h3><\/span><\/div><\/div><\/div><\/div>Miroslav Srnka’s international breakthrough came in 2016 when his opera South Pole was premiered at the Bayerische Staatsoper in Munich under Kirill Petrenko, in a production by Hans Neuenfels that featured Rolando Villaz\u00f3n and Thomas Hampson in the title roles.<\/p>\n<\/div>
Cellist<\/h3><\/span><\/div><\/div><\/div><\/div>Austrian cellist Valerie Fritz explores her instrument from electronics to gut strings.
\nHer wide-ranging repertoire demonstrates how all stylistic approaches benefit from looking beyond their usual boundaries.<\/p>\n<\/div>
View Profile<\/span><\/i><\/a><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/span>Miroslav Srnkas<\/h2><\/span><\/div><\/div><\/div><\/div><\/div><\/span>Composer\u00a0<\/h3><\/span><\/div><\/div><\/div><\/div>Miroslav Srnka’s international breakthrough came in 2016 when his opera South Pole was premiered at the Bayerische Staatsoper in Munich under Kirill Petrenko, in a production by Hans Neuenfels that featured Rolando Villaz\u00f3n and Thomas Hampson in the title roles.<\/p>\n<\/div>
Austrian cellist Valerie Fritz explores her instrument from electronics to gut strings.
\nHer wide-ranging repertoire demonstrates how all stylistic approaches benefit from looking beyond their usual boundaries.<\/p>\n<\/div>
Miroslav Srnkas<\/h2><\/span><\/div><\/div><\/div><\/div><\/div><\/span>Composer\u00a0<\/h3><\/span><\/div><\/div><\/div><\/div>Miroslav Srnka’s international breakthrough came in 2016 when his opera South Pole was premiered at the Bayerische Staatsoper in Munich under Kirill Petrenko, in a production by Hans Neuenfels that featured Rolando Villaz\u00f3n and Thomas Hampson in the title roles.<\/p>\n<\/div>
Composer\u00a0<\/h3><\/span><\/div><\/div><\/div><\/div>Miroslav Srnka’s international breakthrough came in 2016 when his opera South Pole was premiered at the Bayerische Staatsoper in Munich under Kirill Petrenko, in a production by Hans Neuenfels that featured Rolando Villaz\u00f3n and Thomas Hampson in the title roles.<\/p>\n<\/div>
Miroslav Srnka’s international breakthrough came in 2016 when his opera South Pole was premiered at the Bayerische Staatsoper in Munich under Kirill Petrenko, in a production by Hans Neuenfels that featured Rolando Villaz\u00f3n and Thomas Hampson in the title roles.<\/p>\n<\/div>
![\"Zum](\"https:\/\/cue-management.de\/wp-content\/uploads\/2026\/02\/Miroslav-Srnka-scaled.jpg\")
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